Theatre

Theatre

Why theatre still matters to me

Long before enterprise networking paid the bills and long after ministry rooted the soul, theatre taught me how to show up, prepare, and deliver under pressure — in front of strangers, with no redo. It’s a discipline I keep coming back to.

This page is a rolling record of the stage work I’ve been lucky enough to be part of — across musical theatre, variety/spotlight shows, and concert performances in the Dallas–Fort Worth metro.

Selected credits

Stage productions

  • *Once Upon a Mattress* — Ensemble of Knights — Rockwall Community Playhouse (RCT), 2025
  • *Titanic: The Musical* — William Murdoch — Rockwall Community Playhouse (RCT), 2024
  • *NYE Great Gatsby Party* — “Nickyboy” — Rockwall Community Playhouse (RCT), 2023
  • *Passion Play* — Judas Iscariot — Bellevue Baptist Church, 2005–2007

Recurring variety & concert series

  • ACT Spotlight — Allen Contemporary Theatre · 2023, 2024, 2025
  • Porchlight Series — Rockwall Community Playhouse · 2020
  • Broadway’s Best — Rockwall Community Playhouse · 2019
  • Nook @Night — Wandernook · 2018–2020

Music ministry / worship leadership

  • Texas Mosaix — Lead Vocal / Soloist / Audio Tech · 2014–present
  • Family Church Van Alstyne — Worship & Music Minister · 2025–present
  • Rock City Fellowship — Worship & Music Minister · 2022–2023
  • Crosspoint Community Church — Worship & Music Minister · 2020–2022
  • Waddill Street Baptist Church — Worship & Music Minister · 2018–2020

Early training

  • Wooddale Show Choir — Wooddale High School · 1988–1990

What I bring to a production

A three-octave range from D2 to D#5, at home in both baritone and tenor II territory. Principal and ensemble experience, reliability that network engineering demands transferred to a rehearsal room, and a second set of ears from years of live and studio audio engineering.

Available for:

  • Musical theatre — principal and ensemble
  • Straight plays — character roles, father/leader types
  • Voiceover and narration — commercial, liturgical, corporate
  • Reader’s theatre and concert performances
  • Audio engineering / FOH mixing — live and studio

Additional skills

  • Audio engineering — live and studio mixing, 2006–present
  • Stage lighting — musical and theatrical, 2018–present
  • Acoustic guitar — 2002–present

Book / inquire

For auditions, casting inquiries, or a conversation about an upcoming production, get in touch.

Headshots and vocal sample available on request.